the pod bay door

:: It’s 17°C in the Big City, and I just returned from having coffee and reading the NYTimes Magazine. Wearing denim short pants and a t-shirt, I drove home with the window rolled down in my car. This is the last evening I’ll be able to dress so casually and lightly for months to come – the temperature will begin dropping tomorrow until it reaches -21C on Sunday night. Cruel is a word that comes to mind. The forecast high for Hallowe’en is -11C, with light snow expected. Not fair, not fair at all, especially to the ghosts and goblins who will be out and about that night.

:: And people wonder why I’d like to live in NYC. 😉

:: September 11th is almost over in this time zone, and as a day of reflection it felt more subdued than in 2002. The NYTimes editorial reflects of what has happened since that time (ID and PW: podbay). There were various specials and documentaries on television tonight, most notably on PBS. A two-part UK-produced feature, called 9/11: A Tale of Two Towers, chronicled the experiences of the employees of two offices located in the towers during the attacks. It was compelling viewing, but at times very difficult to watch, as well as to listen to the descriptions of what these survivors saw as they left the towers and escaped with their lives.

:: I have subscribed to Time Out New York since Feb 1999. Although it consistently arrives 3-6 weeks late in my mailbox, there are always articles and news of interest to me within each issue. Its late arrival would prevent me from using it as a guide to NYC for that week of publication, but I don’t live there, so it doesn’t matter.

TONY has created an online archive of their past issues, and begun posting the contents of each issue one month after publication – a brilliant move, and one that supports the concept of open access, to some degree anyway. In TONY’s case, it makes sense: consider that the “current event info” in each issue of TONY is good for that week only. Once the week is over, the events are in the past, and the need to refer to and use that particular issue of the magazine as as such is over. However, the articles do not (necessarily) outdate themselves.

Issue 406, 10-17 July, has (at least) three fascinating pieces.

1) What’s eating Sean Penn? is a fascinating interview with this brilliant actor. To answer the question: “Plenty. The “heartbroken and angry” father talks about fear, terrorism and what fueled his segment of the film September 11.”

2) Weapons of Mass Communication details the frightening grip of Clear Channel, a media conglomerate based in San Antonio TX that, within its growing empire, owns or operates 1,248 US radio stations, and promotes ~25,000 concerts, sporting events and stage shows, many of them in 41 amphitheaters it owns (not The Gorge, however – that belongs to the House of Blues.) Clear Channel’s presence in NYC is strong, although not everyone on the street knows about the long reach of CC.

3) Friendster or foe? Friendster is an online social network that allows people to meet each other via their friends and contacts who are already in Friendster. To join you need to be invited. A friend in NYC invited me to join, then another in Edmonton as well. Through three friends, I’m “connected” to 124,938 people as of today. No, I haven’t met any of them. The article notes that Friendster began as a more discriminating alternative to online dating sites, but has grown to over 750,000 users in 200 countries, with 50,000 users in NYC alone. The idea of the site is that you meet new people on the word of a friend, who might almost function as a virtual chaparone. A feature on Friendster appeared in July 2003 in Wired.

:: Next weekend I hope to be in Calgary to attend The Blues and Roots Festival, and see, among others, Los Lobos and Solomon Burke.

:: The power failure on the eastern seaboard, through to Detroit and Toronto, is incredible. How could this happen in 2003? Check out the photos on The Gothamist for a peek at life in NYC this afternoon.

A moblog (mobile blog) is up already, with photos from various blacked out areas. See my NYC page for links to other NYC media.

Nine months after the Great Blackout on November 9-10, 1965, in the same area (NE USA and Ontario), the number of babies born in the region was higher than normal. Was the blackout the cause?

:: Overheard (many times) in NYC: “You don’t get HBO in Canada? Seriously?”

:: I was in the Strand, the best bookstore on the planet, inquiring about a book, can’t remember the title. Strand employee (young woman): “We have three copies, but they are on hold for other people. If you want, I can put a hold on the title for you.” Me: “That’s ok, I’m just visiting from Canada for a few days.” Strand Girl: “No problem, we ship overseas.”

:: At a bar on Avenue A: “I’ll have a Corona, please”. Bartender: “That’ll be four dollars”. I give her a five, and braindead, I keep the change. A number of us wait to go into the lounge to watch a comedian, where there is a two-drink minimum. Bartender to waitress: “Make sure that guy buys two drinks.” Me (incredulous, looking at her): “You mean me?” She ignores me. To the waitress: “The guy with the glasses, he doesn’t tip.” Realizing my faux pas, and feeling like scum from beneath the earth, I return and offer the bill to her, and she says, “Thank you.” Further words are exchanged as we enter the lounge, including mention that I’m from Canada.

After the show: I approach her and offer a fiver, saying, “My apologies again, and please don’t think less of Canadians.” She accepts the bill, and announces: “I LOVE Canadians.” Half an hour later we are still in the bar, milling about. She calls me over, and offers me a shot of something, maybe tequila, and she has one as well. We toast and laugh and make friends, and I thank her. On the way out she tells me her name is Nikki. I bid her farewell, and my friends and I head out into the night.

:: Last night I saw The Fab Faux at a free concert at the World Financial Center near Battery Park City. I was with friends who invited me to attend. As a lifelong Beatles fan, I was looking forward to seeing them perform, given the preconcert info I’d received from said friends: the Faux reproduce the Beatles’ tunes as you hear them on their records, as close to a note-for-note reproduction as possible, and delivered by some of the best musicians around, including Will Lee (The Late Show with David Letterman) and Jimmy Vivino (Late Night With Conan O’Brien).
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